Northrop
Frye, in his book The Secular Scripture:
A Study of the Structure of Romance, informs us that, “Most myths are
stories about or concerning the gods, and so the distinction between the
mythical and the fabulous overlaps a good deal” and that “The difference
between the mythical and the fabulous is a difference in authority and social
function, not in structure.” Frye
concretizes the distinction between myth and romance when he explains “The
mythical poet, then, has his material handed him by tradition, whereas the
fabulous poet may, up to a point, choose his own plots and characters” (Frye
8-9). Within this overlap between myth
and romance we can see how the poets of some of the ancient stories we’ve read
intertwine with mythical concepts and reveal our primitive relationship to
animals and the natural world.
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